At the outset of the story, Tris is a young Neanderthal man navigating an environment as inhospitable as the Ice Age itself. To counter a sense of “otherness” that readers may attribute to a Neanderthal character, I have purposely chosen the first-person viewpoint so readers might more easily connect with Tris’s personality and share his experiences.
The journey began for me in early 2015 when I started drafting the first installment of what would grow into an eight-book saga. Since then, the fields of paleoanthropology and genetics have transformed our understanding of Neanderthals. Back then, popular science painted them as red-haired, freckled, green-eyed folk—a concept that struck me as curious but plausible. I thought, “Well, orangutans are gingers; why not a population of humans too?” So, Tris and his family were envisioned as fiery-haired individuals. Only later did genetic studies reveal that Neanderthals likely had a range of coloring similar to modern Europeans. As a result, the new characters introduced outside of Tris’s clan reflect this update.
And then, there are the dreams. Each book in the Dreamer series opens with a dream that lays the foundation for the story’s events and closes with another that hints at what’s yet to come. According to the plot lore, Dreamers are part of their culture, with a new Dreamer born every few generations. Yet, Tris himself is a skeptic. Are these visions meaningful? Or simply the byproduct of an overactive mind? His doubts mirror the mysteries dreams likely held for our distant ancestors, an enigma as perplexing to them as it is to us today.
Over the years, I’ve been humbled by messages from readers sharing their thoughts on Tris and his journey. Men often tell me they see themselves in Tris—his struggles to protect and provide for his family strike a familiar chord. Some have expressed gratitude for a male character who feels real: not “toxic,” but flawed and thoughtful. (I didn’t set out to write a statement on masculinity, but hearing how much this resonated is deeply gratifying.) Women, on the other hand, frequently say they love Tris—a sentiment that never fails to make me smile.
Tris, at his core, is an “everyman”—resourceful, reflective, and imperfect, trying his best in a challenging world. Spending nearly a decade immersed in his life and times has been an adventure I’ll never forget, and knowing that at least some of my readers have been entertained by his story is the greatest reward of all.
Based around the archaeological discoveries found in a Belgium cave, The Dreamer IV – The Cave of Bones continues the eight-book prehistoric fiction series entitled Dreamer Books: An Ice Age Saga. It is a chronicle from the distant past, when the European continent was yet untamed, and humans fought to endure within a savage environment.
In this setting, a Neanderthal man named Tris narrates his story – often told in a manner that is thoughtful, and sometimes rather droll. His life’s journey is one filled with harrowing adventure and a relentless struggle to survive, but it is also a timeless, very human tale that tells of tested bonds of family and fellowship.
At the outset, Tris is a wide-eyed innocent who has lived a very sheltered existence. His most pressing concerns are presented by confrontations with wildlife and supporting the sustenance of the group. As time goes on and new tribes settle on lands once exclusively inhabited by the Neanderthal, he and his clan must adapt to a number of social changes and challenges. (After viewing the video, scroll down to see what happens next!)
I had never thought about recreating the voice of a Neanderthal man until I considered recording my books into an audio format. It then became apparent that I faced some challenges.
My books are written as a narrative and the main character is a man. As a woman, even if I had a really bad cold, I don’t think I could pass myself off as a male speaker. And….
The main character is a Neanderthal and there have been numerous opinions on the quality of their voices. So what did they sound like?
Can I use a software that will change my voice so I will sound something like a Neanderthal man? Hmmm…..
This has led to many hours of research. I’m not a scientist, but I have a lot of pertinent formal and informal study under my belt as part of writing a prehistoric book series. Like many, I was amused by the Neanderthal High-Pitched Voice hypothesis, which was based on the find of a single Neanderthal hyoid bone. (Spoofed here.) Later, it was discovered that the hyoid bone doesn’t really have as much effect on the quality of the voice as thought, but rather it is thevocal tract, oral/nasal/sinus/chest cavities that give us our unique sound. The Neanderthal had ample quantities of all these things, which leads me to believe that they had full voices – and could be quite loud, if they so chose.
To add perspective, think of dog breeds and their various barks; a Saint Bernard, which has a large head, muzzle, throat and chest has a different voice as compared to a relatively gracile Collie. That being said, as a hunting people, silence was more apt to be desired. I would have guessed them to be a quiet, soft-spoken people in most instances. I would therefore give my character a mid-range husky voice.
Recent genetic studies has brought up the differences between modern human’s speech genes and Neanderthal speech genes. We all have/had the FoxP2 gene, but the Neanderthal (and Denisovans) had genetic variances that are thought to affect the vocal tract. However, that doesn’t concern me very much. Humans have undergone a lot of changes – genetic and otherwise – over the millennia. I’ve read (although I couldn’t find a link to the exact quote) that the Neanderthal and early Homo sapiens were much more genetically similar to one another than early Homo sapiens would have been to today’s people. And, as one of the world’s most renowned Paleoanthropologists John Hawks says in his Feb. 2024 article,
"Today we have a lot more information about the variation of FOXP2 but little clarity about its possible importance. The protein coding sequence of FOXP2 differs slightly between chimpanzees and humans, but the protein sequence does have some variation across humans worldwide. In fact a fraction of people today have the same coding sequence found in Neandertals, showing that the gene itself worked very much the same in ancient and living groups."
(Fascinating article!) Considering that Neanderthal have other known gene discrepancies, like the one for red hair and light skin, it shouldn’t be a surprise when Neanderthal variations come to light.
Prof. Hawks’ article also addresses many aspects of the Neanderthal’s brain shape and supposed organization- we can only guess at how it was organized. Here, he says,
"Those shape differences that were so important to nineteenth-century anthropologists don't seem to make any difference to how brains work. With large studies in recent times, neuroscientists have a more detailed picture of variation of brain form. Variation in overall brain volume, cortical gray and white matter, and the relative sizes of some cortical regions all have been found to correlate with various cognitive or behavioral measures. But the variations of endocast and cranial shape once studied by anthropologists do not correlate with those internal measures of brain structure. Could Neandertal brains have worked just the same as today's people, despite their difference in shape? I think that whatever differences existed would have involved details of the internal structure of the brain, probably unmarked on the inner surface of the skull. One variable we can measure does relate to function within living human populations: brain size. In this measure, Neandertals and recent humans were more or less the same. The way the Neandertal brain worked may not have been exactly the same as ours, but I bet we will find they were not as different as many scientists once imagined."
This reinforces the idea – backed up by the evidence of their social behaviors such as care of their young, sick, and elderly, interring their dead, manufacturing of tools, 3-ply twisted twine, glues, distilling tars and oils, etc., etc., – that they were an intelligent, resourceful people who had sufficient physical and mental capacity to converse. And, it occurs to me that the Neanderthal brain shape was possibly due to its skull shape, which placed the brain in a position where it would be most protected behind the heavy brow. This would have been an important benefit for a people with an extremely active lifestyle, whose activities included a lot of close contact with very large and potentially very violent animals.
XXX
I’m still experimenting, but this is what I’ve come up with (so far). See what you think of the voice as recorded in this video. It still needs work, but it’s a start.
My plan is to set up a Patreon page that will feature posts about the books, the characters, the Ice Age, and much more! This will include serial audio releases of each book, chapter by chapter, and discussions about them.
Title character Tris, with his father, Puh, and longtime friend, Black Wolf have arrived at the People from the East’s annual Gathering. Here, many traders have taken advantage of the event to hawk their wares. Black Wolf, as one of the People from the East, has brought his Neanderthal neighbors to this Gathering; it is a novel experience for the newcomers, who have lived in relative isolation. However, even Black Wolf is startled to see the offerings of one particular trader.
Black Wolf lifted one and held it out for our inspection.
"She has no feet," he pointed out. "She must have lost them in a sad misadventure like Fast Otter when he was attacked by a lion while sleeping in his lean-to. The lion managed to mangle Fast Otter's feet before his companions could save him."
The sculpted piece of sandstone was obviously meant to portrait a woman - a naked woman - but she was like no female I had ever seen. She was well endowed, both front and back, and decorated with many carved lines and zig-zags. And she was enormously fat, like a bear that had been feasting on salmon in preparation for winter's hibernation. The only woman I had ever known to carry any extra weight was Black Wolf's Little Fawn, but even she was positively svelte in comparison to this figure.
Puh responded incredulously to Black Wolf's remarks.
"You look at that physique and all you notice is that she has no feet?"
The moon had risen again, still round and bright, providing just the right ambiance for the wolves to sing by. Their distant howls rent the air and made the hairs on my arms and the back of my neck stand up. The wind had come around to blow out of the south, bringing with it a warm moist air, but it was from the wrong direction to provide any telltale odors that would give any indication that we were drawing nearer to our quarry. The gusting breezes shook the tree branches making it more difficult to distinguish sounds from one another. Still, there was nothing to do except to put one foot in front of the other and hope that we would not go from being the hunters to the hunted. We were grateful for the night’s deep shadows. Since we suspected we were quite close to Snow Leopard and his group, we evaded the moonlight, slipping from one puddle of darkness to the next. As we came to an open spot in the path, we paused for a drink of water and to rest for a moment. We had not spoken or eaten in some time. Puh broke out his nearly empty food bag and gave Black Wolf and me a little dried meat and a few shelled nuts that he found rolling around at the bottom of the sack. As I ate, I rubbed at my burning eyes; they ached from staring so hard at the darkness and from being awake for so long, but the salt from the sweat on my hands made my eyes burn even more.
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Or you can order from the Big Boys!
(See links below)
I see myself more as a writer than an artist, so I’ve been pleasantly surprised by the interest in the illustrations in my books.
My journey began in childhood. I was eager to share the stories swirling in my head, but I didn’t know how to spell many words. This made things tricky for a budding author. To solve this, I told my stories through pictures and short captions.
As I grew, my writing improved until I could finally make a living from it. Unfortunately, that left me with little time for artwork. Now, as I try to rekindle my artistic side, I realize I’ve lost some of my practice! I hope to add more children’s books to my collection, which will give me plenty of chances to hone my skills again!
Here is a sampling, including a few of the frontispieces, pictures from the Ice Age Animal Index that appears at the back of each volume in the 8-book series, and several illustrations from thechildren’s book, KAW. (The Header image is also from KAW.)
PS: If you like Dreamer Book’s original artwork, you can find some of it on our Merch! See a selection of tees, hoodies, tote bags, mugs, and more HERE!
Illustration from KAW
Frontispiece from The Cave of Bones (colorized).European cave lion (colorized, from Ice Age Animal Index)Detail from The People of the Wolves frontispiece (colorized)Reindeer (colorized, from Ice Age Animal Index)Lynx (colorized, from Ice Age Animal Index)Illustration from KAWRoe deer (colorized, from Ice Age Animal Index)Illustration from KAWEurasian wolf (colorized, from Ice Age Animal Index)Woolly mammoth (colorized, from Ice Age Animal Index)
Interview with Seth Chagi (World of Paleoanthropology): Additional Commentary
My early childhood home was a traditional New England-style house, said to have been floated across Cape Cod Bay on barrels in 1750. It’s mind-boggling to imagine how challenging it must have been to keep a large, non-aerodynamic, and non-hydrodynamic two-story house on course as it made its way from Boston to Brewster. I’m sure the house was towed by a ship, but that’s still a lot of open water! If the wind picked up, they might have ended up in an entirely different town than where they had planned to reside.
Once they reached the shore, they likely used teams of horses and large wooden rollers to move the house to its final location, where it still stands today. Over the centuries, the house was expanded, and the property turned into a working farm. If only buildings could talk—the stories that house could tell! By the time my family lived there, it was no longer a farm, just an old, rambling home on a narrow country road. At various times, my grandparents, aunts, and uncles lived with us, making it a bright and lively place where we created many happy memories.
Back then, television reception on Cape Cod was practically non-existent, so we entertained ourselves the old-fashioned way—reading, doing crafts, playing music, and the like. I imagine my parents were relieved that none of us had access to bagpipes! Endless piano renditions of “I Love Coffee, I Love Tea” and “Mary Had a Little Lamb” on the violin were bad enough. (My sister eventually became a skilled violinist, even earning the position of second violinist with the Cape Cod Symphony.)
Some of my earliest memories are of walking through the woods with my father. He was an avid outdoorsman, and people often said that if they ever found themselves stranded on a deserted island, they’d choose him to be there with them. Walking through nature with Dad was never rushed. We’d stop and look at things, and he would explain what they were and what they could be used for. He taught me to observe, to listen, and to watch the sky and the animals around me. I also learned to see the outdoors as nature’s grocery store—if you knew where to look, you wouldn’t go hungry. These days, I find myself passing on these same lessons to my grandchildren.
Photo credit E. A. Meigs
I was an unusual child. Though I had friends, I often spent time alone, wandering the woodlands, marshes, and nearby beaches. I knew where several springs were hidden, offering a refreshing drink when I was thirsty. I built small huts from saplings and thick brush, weaving deadwood to form the walls. I also spent time gazing at nature, mentally taking notes that later inspired my writing. Even as a child, I wrote stories and illustrated them with my own drawings. My explorations often led me to collect treasures—rocks, pinecones, acorns, feathers, bugs, and other fun finds—that surprised my mother during laundry day.
When I was about nine or ten, I decided to build a makeshift tent using a tarp, bits of rope, clothespins, and sharpened sticks as stakes. I set it up across the stream from our house in a small clearing amid the trees. Over time, I gathered a decent camping kit, and eventually, I was given an old but sturdy canvas tent. It served me well until a family of mice took up residence during the winter, leaving my tent with much more “ventilation” than intended. By that point, I had saved enough from my afterschool job to buy a modern nylon tent. Little did I know, that small blue-and-yellow pup tent, along with my camping gear, would come in handy when I first set out on my own. When rentals were hard to find and/or too expensive, I occasionally lived in the woods.
I loved boondocking—that is, camping in the woods rather than in a campground. I’ve never liked campgrounds much, but I’d sometimes stay in them during the off-season. I was fortunate that we didn’t have dangerous wildlife like poisonous snakes or large predators, so I could enjoy nature without much worry. The worst I might encounter was a skunk. Now that I’ve worked for an employer like Fish and Wildlife and seen gruesomely graphic photographs and read the reports of the aftermath of grizzly bear attacks, etc., I am much more aware of the potential hazards. Some folks don’t seem to mind tent camping in bear country, but having seen half-eaten remains, I would only do it in a hard-sided RV. Motivated bears can get into almost anything, but at least an RV gives you a chance to start up the engine and drive away and thus oblige them to run for their dinner.
And that’s it for this entry. I’ll be adding more blogs to go with the Story of Us! podcast.
Be sure to check out World of Paleoanthropology for interviews, articles, book reviews, and much more! It is a veritable goldmine of paleoanthropological information!
To learn more about Dreamer Books: An Ice Age Saga check out these pages!
Cape Cod Author E. A. Meigs Releases the Long-Awaited Conclusion to the Dreamer Books: An Ice Age Saga Series
Dreamer Literary Productions, LLC publishes The Talking Stones, the final installment in their feature series: Dreamer Books: An Ice Age Saga.
CHATHAM, Mass. (June 13th, 2023) — Cape Cod publisher Dreamer Literary Productions, LLC and author E. A. Meigs officially launch a new novel in The Dreamer Book Series, entitled The Dreamer VIII - The Talking Stones. This is the last volume of the epic eight-book series that takes readers to a distant time and place — to a perilous and yet magnificent juncture in time as they follow the life of a Neanderthal man. The narrative unfolds against a stunning Ice Age backdrop, capturing the imagination with an ongoing adventure that revolves around survival, family, friendship, and endurance against the odds.
Dreamer Literary Productions is pleased to announce that The Dreamer VII ~ The Challenge Circle is now officially released, in Ebook, paperback, and hardcover formats!
The epic Ice Age adventure continues with this latest installment. Did you ever wonder what life was like for those who walked the Earth before us? Dreamer Books opens a literary portal to life during the last Glacial Maximum, what with all its challenges and drama, while simultaneously instilling an enduring sense of wonder at the resiliency and resourcefulness of our ancestors. The ongoing story celebrates the human spirit, and illustrates however much the settings may differ, people have little changed over the eons.
Seven years ago, my imagination opened a portal to an ancient landscape. Layers of time peeled away, and I was thrust into the consciousness of one who had lived in a time and place now lost to memory. This Neanderthal man and the epic adventures that make up his life’s story may be fictional, but as I write his experiences it feels as though I am recording actual history, rather than composing a literary work. Bringing to life the peoples and cultures of Ice Age Eurasia has enthralled and inspired me, and I can’t help but think I will miss being immersed in their world when the series is complete.
(Header image credits: book cover photo by Paula Kugerud Photography, Venus figurine pendant and lithics by Neanderthal Joe. Header photo and blog photo by E. A. Meigs)
Our scallop boat, referred to as a dragger, the Kathy Dick.
It’s 4AM and I’m standing on a dock. Harborside lights illuminate the crystal-clear water, where I can see small bait fish flit about, while a crab scuttles to hide in the shadows. At that moment, I am less interested in marine life than I am the depth of the water. I know we need at least a half-tide to make it over the creeping sandbars that continually infiltrate the channel. Many a morning was spent peering into the depths, awaiting the moment when we could depart.
My Dad was a commercial sea scallop fisherman. His boat was a thirty-foot long wooden dragger, built in 1931. She was a modest working vessel, with the well-worn, slightly dingy look that typified most fishing boats. A symphony of aromas accompanied her wherever she went: a pungent mixture of old fish, diesel exhaust, and paint. Her pilot house was outfitted with a compass, fathometer, VHF radio, and wind-up clock. Down below and forward, an old-fashioned cast iron stove, fold-down table/pantry, and a berth made for a cozy little cabin. A large coffee can served as the head (toilet) for anyone who did not wish to make their deposit over the gun’ale.
I accompanied Dad on these outings whenever possible. As a kid raised in a semi-famous “Sea Captain Town”, it was almost impossible to avoid at least some familiarity with the nautical world, but my childhood was well-steeped in it. And I was hooked from the start. I loved everything to do with boats and being on the water. Dad usually fished alone unless accompanied by a family member or friend, so when I was first invited to go out scalloping at age eight (after pleading to be allowed to go for some time), I was thrilled. The hours were long, but as a “day boat” that returned to harbor by nightfall, the trips were less onerous than those of bigger off-shore boats.
We left as soon as the tide permitted and I made bacon and eggs for our breakfast while we steamed to the grounds. The stove was probably intended to be fueled with wood, but as I recall, we most often used cans of ethanol gel for cooking. The stovetop had a clamp system called fiddles that kept pots and pans from suddenly levitating or taking flight across the cabin while we were underway. The fiddles also allowed the cook to use both hands when tending food, and sometimes, to brace against the carnival ride-like motion of the boat.
Painting the dragger’s bottom before the tide comes in!
Later, fortified by a hearty breakfast and still plunging along, we washed the dishes. The plates and silverware were washed in the shucking box, but most of our dinnerware had holes in it, so the skillet, ironstone coffee mugs, and spatula had a line run through the holes and after being tied-off, were thrown over the side to be scrubbed as we forged ahead to our destination. Following a period of being subjected to a saltwater-and-sand scouring, we hauled back on the rope and the sparkling-clean items were dried and stowed.
Sea scalloping involves towing a drag across the ocean floor in strategic areas. With luck, you will have found a few good scallop beds, and if you’re careful not to overfish them, you can alternate between these beds indefinitely. After the drag comes up, its contents are dumped onto the deck and the pile is culled for scallops, which are then shucked while the drag is returned to the water. This cycle of drag down/drag up goes on all day, but we must stop in time to steam back to the harbor to catch the evening tide.
Days worked on the water are unlike any day on land. It is almost as though you have been transported to another world. Time moves at its own speed, measured by the cadence of the waves, and the duration of each tow along the seafloor. On pleasant days, the breeze whispers softly in rigging and the moist salt air refreshes the skin. That said, there were many bitter cold days when the biting wind caused what we called “wind burn” and I envied my father his beard!
I was scalloping with Dad on a winter’s day when the snow began to fall fast and thick. The seas were relatively calm, but it was quite cold. As mentioned before, Dad had a full beard, and it was coated with frost, his mustache edged with icicles. The snow stuck to us as we worked, until we more closely resembled a pair of Yetis than a couple of humans. I may have been twelve or thirteen years old at the time, but I still vividly recall how thoroughly chilled I was, especially considering it was difficult to do that kind of work while wearing gloves. I knew Dad had to be cold as well.
“Dad,” I said, having had an epiphany, “Do you want a cup of hot chocolate?”
Dad and me (age 8), shucking scallops.
He answered with a decisive affirmative, so I was down below in a flash to boil water. These days, when I make hot chocolate, I cook it on the stovetop from individual ingredients. This was just instant cocoa, but the ironstone mugs made wonderful hand-warmers and it felt so luxurious to sip the piping-hot beverage as I thawed my fingers. There’s a great sense of camaraderie that comes from standing together on a gently heaving deck, listening to the engine labor as the boat leads the drag on yet another pass, silently enjoying a simple cup of cocoa. The drag would be hauled up shortly, but this few minutes’ respite was priceless as snow swirled around us; no one else was in sight – we were just two people on a little boat as it plowed across a vast expanse of green water.
Some part of me will always be a fisherman’s daughter: the kid who drew pictures of fishing boats in art class, while the other kids drew horses, cars, and houses; the kid who went to school with dried scallop guts and blood on my oil skins (raincoat).
I haven’t worked in the fishing industry for many years now, but it was an important part of my upbringing and it made my living for some decades. I am past the point in life where I would want to return to that occupation, but I still wax nostalgic on occasion for the smell of the ocean and freedom of riding the waves. I hope I have passed on this affinity to my children, who were exposed the ocean and boats literally from the time they were babies.
It was my fate that I should be drawn to two very different worlds: the call of the sea and the grounding effect of living a terrestrial life. And I harbor a deep and abiding love for both.
This plaque was mounted on a bulkhead in the dragger’s forward cabin.
Commercial fishing and working in boat yards has also influenced my writing, especially as it pertains to my current book series. Not only because I worked almost exclusively with men, but because of the insights gained from working with men who labored in one of the most physical and dangerous occupations known. Surely, our early ancestors would have shared at least some of their views on the pursuit of prey (whether fish, fowl, or mammal) and the risks involved with the less-than certain lifestyle, and empathized with the discomforts that come with exposure to the elements, no matter what form they may take. All such challenges are timeless.
My nephew wrote this about Dad: I can remember many times seeing him hanging upside down into the engine compartment battling with some rusty thing or other that wasn't cooperating, monkey climbing partway up the mast or rigging to untangle some unfortunate and uncooperative line that got tangled...
This hour-long podcast is well worth your time: Anthony Yokolano from The Neanderthal Mind digs deep into mankind’s ancient past in this interview with Neanderthal Joe. (What a nice surprise to hear my name and my books mentioned during the discussion! Thanks for the plugs, Anthony and Neanderthal Joe!)
In this case, the phrase Contact Us is a misnomer. As of now, there is no Us, only me. Researching, writing, publishing, and promoting a Paleofiction book series is a huge undertaking, but I am delighted to be on this journey!
So, if you have any questions about Dreamer Books: An Ice Age Saga series, how to purchase the books (especially if you are seeking to make a wholesale purchase, or you live outside of the continental United States and need special shipping rates), please feel free to drop a line.
Also, I welcome opportunities to do interviews and give educational talks about life during the last Ice Age, early humans, and nature and Natural History. Please let me know if you would like to discuss scheduling an interview or event.
Click>>> Contact: most queries are answered within 24 hours.
Neanderthal Joe very kindly invited me to speak with him on his podcast recently. I am always delighted to have an opportunity to talk with Neanderthal Joe, and talk about my favorite subjects: history (especially as it pertains to natural history), paleoanthropology, and my books - which delve into both topics! It's a lot to cover in an hour, and afterward, I always think of something I should have added or how I could have made my point a bit more clearly, but I really hope everyone enjoys our chat. Thanks for listening!
Just in case you missed it, the latest installment in the Dreamer Books: An Ice Age Saga series was released earlier this summer!
The Dreamer VI ~ The Outsiders continues the ongoing adventure, as narrated by Tris, a young Neanderthal man. Tris's thoughtful and sometimes droll perspective brings to life the struggles of ancient humans as they fight to survive in a hostile world.
All Dreamer Books are available in hardcover, paperback, and eBook formats. Click (below) to visit storefront page.
Dreamer Books: An Ice Age Saga announces a new book! Previously, Dreamer Books has been known for publishing full-length Paleo-Fiction, but now children can venture back to the last Ice Age with KAW, a short story written especially for youngsters. This book designed to entertain and educate, as children get to know Fox and share his journey of discovery as he learns about the prehistoric world he calls home.
Find KAW at Children's Books, where you can also see some of the illustrations and a few sample pages.
KAW, the first in a series of children’s books about a prehistoric boy named Fox, is one step closer to publication! The digital files are now in the hands of the printer. I should receive the digital proofs in a few days, after which I can either make revisions or order a hard copy proof to make one final check for errors. I’m really excited to be so close to releasing this book!
Anthony Yocolano, host of the Neanderthal Mind Podcast, very kindly invited me to join him for an impromptu chat, during which we discuss a number of topics, including the many aspects of my life experiences that have contributed toward producing a historical fiction book series, the recent release of my latest book, The Dreamer VI ~ The Outsiders, the next book in the series, The Dreamer VII ~ The Challenge Circle, and upcoming publication of my first children’s book, Kaw, which is due for release later this year. We also discuss how the series is researched and our shared hope that more resources will eventually become open access, and future plans for both my adult and children’s book series.
The realm of Paleoanthropology is a relatively small one, therefore those of us immersed in this field often know one another, at least by name. I have followed many such experts over the decades, but it’s not often you find one who not only delves into the science, but also explores the practicalities and skills needed by early humans as they struggled to survive in a harsh world.
Mousterian blade on a centripetal core.
For the last ten years, Neanderthal Joe (AKA, Joe Lawlor) has made a study of the Neanderthal. During this time, Neanderthal Joe has put his knowledge to good use and taught himself how to knap stone, haft knapped stone to spears shafts and handles, made useable items from animal pelts and hides, created Venus figurines, made cordage, glues, distilled birch bark tar and oil, practiced several methods of making fire, and much, much more – all using authentic primitive tools and techniques. Neanderthal Joe’s works have found homes with collectors all over the world. Some of his lithics can be seen on display on display atthe Etta C. Ross Memorial Library Museum in Blue Earth, MN.
Neanderthal tools racloir, hand-axe, Levallois core. (Made from cobble of Georgetown flint by Neanderthal Joe.)Mousterian blades, Joe’s replica (r) compared to an authentic Mousterian blade (l) made by a Neanderthal 60-70 thousand years ago.
Neanderthal Joe shares his passion for learning about our ancient ancestors with his followers. (A list of his platforms will be included at the end of this post.) You can watch some of his many YouTube videos (below), to get an idea of the scope of his work.
Video showcasing a Neanderthal tool kit.
Neanderthal Joe’s “Venus of Antler River”.
Spears made by Neanderthal Joe.
Venus figurine.
Again, these images and videos give just an inkling of Neanderthal Joe’s body of work and he is constantly adding to this impressive portfolio. If you are interested in ancient life skills and paleoanthropology, check out his platforms; he provides valuable insight into the lives of our ancestors.
It’s always gratifying to receive a reader review of my books, but especially so when the reviewer has Neanderthal Joe’s level of expertise on the Neanderthal and the details of their lives. A while ago, Neanderthal Joe very generously submitted a review of my first three books. (When I wrote to say thank you, I took the opportunity to ask his permission to do a blog about him and he kindly agreed!) I had to edit his review to fit into the Reader Review page format, so here it is, in it’s entirety.
As someone that struggles at keeping focus while reading, this series has been an absolute trip! I knew it was a great series when I finished the first book in 3 days (something that is rare for me); the entire time I was reading book one I was “on my toes” excited for the next page and the next chapter, the characters are very likeable and are very relatable. The story is captivating and keeps the reader drawn in, the story is not the typical point A to point B story it is a well thought out TRUE ice age adventure! When I come home from work instead of settling down and hopping on a game or mindlessly watching tv I now open a new chapter from the book anticipating where the adventures of Tris, Black Wolf and Tor goes. I am very excited to see where the wonderful author takes the series and will continue to read. Thank you for making a beautifully crafted story with elements from the real world. While reading you can picture the characters on their journey and that is better than any tv show or movie.
If a real world Neanderthal recommends this series that should be the sign that you should check it out from Neanderthal Joe!
All images and videos are created by and used with the permission of Neanderthal Joe (Joe Lawlor).
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The Dreamer: Just before dawn on a cold spring morning, a young Neanderthal man awakens from a strange and frightening dream that will change his life forever…
