Although I write about life as it was during the last Ice Age—a time when people had to procure all of life’s necessities from Nature, my childhood in small town New England was far easier. We didn’t have fancy stores, or even a “real” grocery store, but we did have Donald Doane’s.
Donald Doane’s was located in the heart of town. This store (shown in photos) is now called The Brewster Store, but back then it was Donald Doane’s, named for its proprietor. The shop carried all life’s essentials, along with a few delightful nonessentials, such as rubber-band-powered balsa wood airplane kits for just ten cents, jars filled with penny candy, and a selection of comic books.
While we occasionally stopped in for grocery items, every Sunday, Dad would fire up his truck—a 1954 International—and take one or more of us kids to Donald Doane’s to pick up the Sunday paper and a dozen donuts. This was one of my favorite weekly rituals.
The store had a warm and inviting atmosphere; a central wood stove served as a gathering spot for locals to enjoy a hot beverage and share stories. The wonderful aroma of freshly ground coffee and roasting peanuts often filled the air.
Mr. Doane, though somewhat taciturn and stern in appearance, had a softer side. If business was slow, he would invite us upstairs to marvel at his collection of antique toys, offering a fascinating glimpse into playthings from a century ago. It was nice to see this gentler aspect of a man who once replied to a tourist asking why he didn’t carry the New York Times with, “Because I don’t give a damn about what happens in New York!”
Mr. Doane is long gone now, but his store remains at the center of town. It likely carries the New York Times these days, but it still exudes a charm and sense of nostalgia that are hard to find elsewhere.
(Photo credits: E. A. Meigs. Brewster Store images posted with permission from the Brewster Store.)
I see myself more as a writer than an artist, so I’ve been pleasantly surprised by the interest in the illustrations in my books.
My journey began in childhood. I was eager to share the stories swirling in my head, but I didn’t know how to spell many words. This made things tricky for a budding author. To solve this, I told my stories through pictures and short captions.
As I grew, my writing improved until I could finally make a living from it. Unfortunately, that left me with little time for artwork. Now, as I try to rekindle my artistic side, I realize I’ve lost some of my practice! I hope to add more children’s books to my collection, which will give me plenty of chances to hone my skills again!
Here is a sampling, including a few of the frontispieces, pictures from the Ice Age Animal Index that appears at the back of each volume in the 8-book series, and several illustrations from thechildren’s book, KAW. (The Header image is also from KAW.)
PS: If you like Dreamer Book’s original artwork, you can find some of it on our Merch! See a selection of tees, hoodies, tote bags, mugs, and more HERE!
Interview with Seth Chagi (World of Paleoanthropology): Additional Commentary
My early childhood home was a traditional New England-style house, said to have been floated across Cape Cod Bay on barrels in 1750. It’s mind-boggling to imagine how challenging it must have been to keep a large, non-aerodynamic, and non-hydrodynamic two-story house on course as it made its way from Boston to Brewster. I’m sure the house was towed by a ship, but that’s still a lot of open water! If the wind picked up, they might have ended up in an entirely different town than where they had planned to reside.
Once they reached the shore, they likely used teams of horses and large wooden rollers to move the house to its final location, where it still stands today. Over the centuries, the house was expanded, and the property turned into a working farm. If only buildings could talk—the stories that house could tell! By the time my family lived there, it was no longer a farm, just an old, rambling home on a narrow country road. At various times, my grandparents, aunts, and uncles lived with us, making it a bright and lively place where we created many happy memories.
Back then, television reception on Cape Cod was practically non-existent, so we entertained ourselves the old-fashioned way—reading, doing crafts, playing music, and the like. I imagine my parents were relieved that none of us had access to bagpipes! Endless piano renditions of “I Love Coffee, I Love Tea” and “Mary Had a Little Lamb” on the violin were bad enough. (My sister eventually became a skilled violinist, even earning the position of second violinist with the Cape Cod Symphony.)
Some of my earliest memories are of walking through the woods with my father. He was an avid outdoorsman, and people often said that if they ever found themselves stranded on a deserted island, they’d choose him to be there with them. Walking through nature with Dad was never rushed. We’d stop and look at things, and he would explain what they were and what they could be used for. He taught me to observe, to listen, and to watch the sky and the animals around me. I also learned to see the outdoors as nature’s grocery store—if you knew where to look, you wouldn’t go hungry. These days, I find myself passing on these same lessons to my grandchildren.
I was an unusual child. Though I had friends, I often spent time alone, wandering the woodlands, marshes, and nearby beaches. I knew where several springs were hidden, offering a refreshing drink when I was thirsty. I built small huts from saplings and thick brush, weaving deadwood to form the walls. I also spent time gazing at nature, mentally taking notes that later inspired my writing. Even as a child, I wrote stories and illustrated them with my own drawings. My explorations often led me to collect treasures—rocks, pinecones, acorns, feathers, bugs, and other fun finds—that surprised my mother during laundry day.
When I was about nine or ten, I decided to build a makeshift tent using a tarp, bits of rope, clothespins, and sharpened sticks as stakes. I set it up across the stream from our house in a small clearing amid the trees. Over time, I gathered a decent camping kit, and eventually, I was given an old but sturdy canvas tent. It served me well until a family of mice took up residence during the winter, leaving my tent with much more “ventilation” than intended. By that point, I had saved enough from my afterschool job to buy a modern nylon tent. Little did I know, that small blue-and-yellow pup tent, along with my camping gear, would come in handy when I first set out on my own. When rentals were hard to find and/or too expensive, I occasionally lived in the woods.
I loved boondocking—that is, camping in the woods rather than in a campground. I’ve never liked campgrounds much, but I’d sometimes stay in them during the off-season. I was fortunate that we didn’t have dangerous wildlife like poisonous snakes or large predators, so I could enjoy nature without much worry. The worst I might encounter was a skunk. Now that I’ve worked for an employer like Fish and Wildlife and seen gruesomely graphic photographs and read the reports of the aftermath of grizzly bear attacks, etc., I am much more aware of the potential hazards. Some folks don’t seem to mind tent camping in bear country, but having seen half-eaten remains, I would only do it in a hard-sided RV. Motivated bears can get into almost anything, but at least an RV gives you a chance to start up the engine and drive away and thus oblige them to run for their dinner.
And that’s it for this entry. I’ll be adding more blogs to go with the Story of Us! podcast.
Be sure to check out World of Paleoanthropology for interviews, articles, book reviews, and much more! It is a veritable goldmine of paleoanthropological information!
To learn more about Dreamer Books: An Ice Age Saga check out these pages!
Cape Cod Author E. A. Meigs Releases the Long-Awaited Conclusion to the Dreamer Books: An Ice Age Saga Series
Dreamer Literary Productions, LLC publishes The Talking Stones, the final installment in their feature series: Dreamer Books: An Ice Age Saga.
CHATHAM, Mass. (June 13th, 2023) — Cape Cod publisher Dreamer Literary Productions, LLC and author E. A. Meigs officially launch a new novel in The Dreamer Book Series, entitled The Dreamer VIII - The Talking Stones. This is the last volume of the epic eight-book series that takes readers to a distant time and place — to a perilous and yet magnificent juncture in time as they follow the life of a Neanderthal man. The narrative unfolds against a stunning Ice Age backdrop, capturing the imagination with an ongoing adventure that revolves around survival, family, friendship, and endurance against the odds.
Dreamer Literary Productions is pleased to announce that The Dreamer VII ~ The Challenge Circle is now officially released, in Ebook, paperback, and hardcover formats!
The epic Ice Age adventure continues with this latest installment. Did you ever wonder what life was like for those who walked the Earth before us? Dreamer Books opens a literary portal to life during the last Glacial Maximum, what with all its challenges and drama, while simultaneously instilling an enduring sense of wonder at the resiliency and resourcefulness of our ancestors. The ongoing story celebrates the human spirit, and illustrates however much the settings may differ, people have little changed over the eons.
Seven years ago, my imagination opened a portal to an ancient landscape. Layers of time peeled away, and I was thrust into the consciousness of one who had lived in a time and place now lost to memory. This Neanderthal man and the epic adventures that make up his life’s story may be fictional, but as I write his experiences it feels as though I am recording actual history, rather than composing a literary work. Bringing to life the peoples and cultures of Ice Age Eurasia has enthralled and inspired me, and I can’t help but think I will miss being immersed in their world when the series is complete.
(Header image credits: book cover photo by Paula Kugerud Photography, Venus figurine pendant and lithics by Neanderthal Joe. Header photo and blog photo by E. A. Meigs)
It’s 4AM and I’m standing on a dock. Harborside lights illuminate the crystal-clear water, where I can see small bait fish flit about, while a crab scuttles to hide in the shadows. At that moment, I am less interested in marine life than I am the depth of the water. I know we need at least a half-tide to make it over the creeping sandbars that continually infiltrate the channel. Many a morning was spent peering into the depths, awaiting the moment when we could depart.
My Dad was a commercial sea scallop fisherman. His boat was a thirty-foot long wooden dragger, built in 1931. She was a modest working vessel, with the well-worn, slightly dingy look that typified most fishing boats. A symphony of aromas accompanied her wherever she went: a pungent mixture of old fish, diesel exhaust, and paint. Her pilot house was outfitted with a compass, fathometer, VHF radio, and wind-up clock. Down below and forward, an old-fashioned cast iron stove, fold-down table/pantry, and a berth made for a cozy little cabin. A large coffee can served as the head (toilet) for anyone who did not wish to make their deposit over the gun’ale.
I accompanied Dad on these outings whenever possible. As a kid raised in a semi-famous “Sea Captain Town”, it was almost impossible to avoid at least some familiarity with the nautical world, but my childhood was well-steeped in it. And I was hooked from the start. I loved everything to do with boats and being on the water. Dad usually fished alone unless accompanied by a family member or friend, so when I was first invited to go out scalloping at age eight (after pleading to be allowed to go for some time), I was thrilled. The hours were long, but as a “day boat” that returned to harbor by nightfall, the trips were less onerous than those of bigger off-shore boats.
We left as soon as the tide permitted and I made bacon and eggs for our breakfast while we steamed to the grounds. The stove was probably intended to be fueled with wood, but as I recall, we most often used cans of ethanol gel for cooking. The stovetop had a clamp system called fiddles that kept pots and pans from suddenly levitating or taking flight across the cabin while we were underway. The fiddles also allowed the cook to use both hands when tending food, and sometimes, to brace against the carnival ride-like motion of the boat.
Later, fortified by a hearty breakfast and still plunging along, we washed the dishes. The plates and silverware were washed in the shucking box, but most of our dinnerware had holes in it, so the skillet, ironstone coffee mugs, and spatula had a line run through the holes and after being tied-off, were thrown over the side to be scrubbed as we forged ahead to our destination. Following a period of being subjected to a saltwater-and-sand scouring, we hauled back on the rope and the sparkling-clean items were dried and stowed.
Sea scalloping involves towing a drag across the ocean floor in strategic areas. With luck, you will have found a few good scallop beds, and if you’re careful not to overfish them, you can alternate between these beds indefinitely. After the drag comes up, its contents are dumped onto the deck and the pile is culled for scallops, which are then shucked while the drag is returned to the water. This cycle of drag down/drag up goes on all day, but we must stop in time to steam back to the harbor to catch the evening tide.
Days worked on the water are unlike any day on land. It is almost as though you have been transported to another world. Time moves at its own speed, measured by the cadence of the waves, and the duration of each tow along the seafloor. On pleasant days, the breeze whispers softly in rigging and the moist salt air refreshes the skin. That said, there were many bitter cold days when the biting wind caused what we called “wind burn” and I envied my father his beard!
I was scalloping with Dad on a winter’s day when the snow began to fall fast and thick. The seas were relatively calm, but it was quite cold. As mentioned before, Dad had a full beard, and it was coated with frost, his mustache edged with icicles. The snow stuck to us as we worked, until we more closely resembled a pair of Yetis than a couple of humans. I may have been twelve or thirteen years old at the time, but I still vividly recall how thoroughly chilled I was, especially considering it was difficult to do that kind of work while wearing gloves. I knew Dad had to be cold as well.
“Dad,” I said, having had an epiphany, “Do you want a cup of hot chocolate?”
He answered with a decisive affirmative, so I was down below in a flash to boil water. These days, when I make hot chocolate, I cook it on the stovetop from individual ingredients. This was just instant cocoa, but the ironstone mugs made wonderful hand-warmers and it felt so luxurious to sip the piping-hot beverage as I thawed my fingers. There’s a great sense of camaraderie that comes from standing together on a gently heaving deck, listening to the engine labor as the boat leads the drag on yet another pass, silently enjoying a simple cup of cocoa. The drag would be hauled up shortly, but this few minutes’ respite was priceless as snow swirled around us; no one else was in sight – we were just two people on a little boat as it plowed across a vast expanse of green water.
Some part of me will always be a fisherman’s daughter: the kid who drew pictures of fishing boats in art class, while the other kids drew horses, cars, and houses; the kid who went to school with dried scallop guts and blood on my oil skins (raincoat).
I haven’t worked in the fishing industry for many years now, but it was an important part of my upbringing and it made my living for some decades. I am past the point in life where I would want to return to that occupation, but I still wax nostalgic on occasion for the smell of the ocean and freedom of riding the waves. I hope I have passed on this affinity to my children, who were exposed the ocean and boats literally from the time they were babies.
It was my fate that I should be drawn to two very different worlds: the call of the sea and the grounding effect of living a terrestrial life. And I harbor a deep and abiding love for both.
Commercial fishing and working in boat yards has also influenced my writing, especially as it pertains to my current book series. Not only because I worked almost exclusively with men, but because of the insights gained from working with men who labored in one of the most physical and dangerous occupations known. Surely, our early ancestors would have shared at least some of their views on the pursuit of prey (whether fish, fowl, or mammal) and the risks involved with the less-than certain lifestyle, and empathized with the discomforts that come with exposure to the elements, no matter what form they may take. All such challenges are timeless.
My nephew wrote this about Dad: I can remember many times seeing him hanging upside down into the engine compartment battling with some rusty thing or other that wasn't cooperating, monkey climbing partway up the mast or rigging to untangle some unfortunate and uncooperative line that got tangled...
The Dreamer: Just before dawn on a cold spring morning, a young Neanderthal man awakens from a strange and frightening dream that will change his life forever…