Title character Tris, with his father, Puh, and longtime friend, Black Wolf have arrived at the People from the East’s annual Gathering. Here, many traders have taken advantage of the event to hawk their wares. Black Wolf, as one of the People from the East, has brought his Neanderthal neighbors to this Gathering; it is a novel experience for the newcomers, who have lived in relative isolation. However, even Black Wolf is startled to see the offerings of one particular trader.
Black Wolf lifted one and held it out for our inspection.
"She has no feet," he pointed out. "She must have lost them in a sad misadventure like Fast Otter when he was attacked by a lion while sleeping in his lean-to. The lion managed to mangle Fast Otter's feet before his companions could save him."
The sculpted piece of sandstone was obviously meant to portrait a woman - a naked woman - but she was like no female I had ever seen. She was well endowed, both front and back, and decorated with many carved lines and zig-zags. And she was enormously fat, like a bear that had been feasting on salmon in preparation for winter's hibernation. The only woman I had ever known to carry any extra weight was Black Wolf's Little Fawn, but even she was positively svelte in comparison to this figure.
Puh responded incredulously to Black Wolf's remarks.
"You look at that physique and all you notice is that she has no feet?"
Seth Chagi, the Founder and Project Director of World of Paleoanthropology, has made it his mission to to engage his fellow humans in the utterly fascinating past we all share.
I discovered World of Paleoanthropology while I was conducting research to help flesh out the backstory of my Ice Age Era book series. The long tale included several lineages of ancient humans and I wanted the characters to be as accurate as current science allowed.
As it happens, paleoanthropology is a rapidly growing field. The 8+ years during which I wrote my books saw many discoveries, revisions, and total debunkings. Often, it is difficult to find up-to-date information due to the fact that it takes years to write a book and have it published, it can take many months to get a scientific paper published, and television-type documentaries and scientific programs can also be woefully behind the times by the time they reach the public.
World of Paleoanthropology solves this problem by going to the experts and speaking with them, thus we are given the valuable opportunity to hear the most current information from those who are at the forefront of their field.
I see myself more as a writer than an artist, so I’ve been pleasantly surprised by the interest in the illustrations in my books.
My journey began in childhood. I was eager to share the stories swirling in my head, but I didn’t know how to spell many words. This made things tricky for a budding author. To solve this, I told my stories through pictures and short captions.
As I grew, my writing improved until I could finally make a living from it. Unfortunately, that left me with little time for artwork. Now, as I try to rekindle my artistic side, I realize I’ve lost some of my practice! I hope to add more children’s books to my collection, which will give me plenty of chances to hone my skills again!
Here is a sampling, including a few of the frontispieces, pictures from the Ice Age Animal Index that appears at the back of each volume in the 8-book series, and several illustrations from thechildren’s book, KAW. (The Header image is also from KAW.)
PS: If you like Dreamer Book’s original artwork, you can find some of it on our Merch! See a selection of tees, hoodies, tote bags, mugs, and more HERE!
Illustration from KAW
Frontispiece from The Cave of Bones (colorized).European cave lion (colorized, from Ice Age Animal Index)Detail from The People of the Wolves frontispiece (colorized)Reindeer (colorized, from Ice Age Animal Index)Lynx (colorized, from Ice Age Animal Index)Illustration from KAWRoe deer (colorized, from Ice Age Animal Index)Illustration from KAWEurasian wolf (colorized, from Ice Age Animal Index)Woolly mammoth (colorized, from Ice Age Animal Index)
Interview with Seth Chagi (World of Paleoanthropology): Additional Commentary
My early childhood home was a traditional New England-style house, said to have been floated across Cape Cod Bay on barrels in 1750. It’s mind-boggling to imagine how challenging it must have been to keep a large, non-aerodynamic, and non-hydrodynamic two-story house on course as it made its way from Boston to Brewster. I’m sure the house was towed by a ship, but that’s still a lot of open water! If the wind picked up, they might have ended up in an entirely different town than where they had planned to reside.
Once they reached the shore, they likely used teams of horses and large wooden rollers to move the house to its final location, where it still stands today. Over the centuries, the house was expanded, and the property turned into a working farm. If only buildings could talk—the stories that house could tell! By the time my family lived there, it was no longer a farm, just an old, rambling home on a narrow country road. At various times, my grandparents, aunts, and uncles lived with us, making it a bright and lively place where we created many happy memories.
Back then, television reception on Cape Cod was practically non-existent, so we entertained ourselves the old-fashioned way—reading, doing crafts, playing music, and the like. I imagine my parents were relieved that none of us had access to bagpipes! Endless piano renditions of “I Love Coffee, I Love Tea” and “Mary Had a Little Lamb” on the violin were bad enough. (My sister eventually became a skilled violinist, even earning the position of second violinist with the Cape Cod Symphony.)
Some of my earliest memories are of walking through the woods with my father. He was an avid outdoorsman, and people often said that if they ever found themselves stranded on a deserted island, they’d choose him to be there with them. Walking through nature with Dad was never rushed. We’d stop and look at things, and he would explain what they were and what they could be used for. He taught me to observe, to listen, and to watch the sky and the animals around me. I also learned to see the outdoors as nature’s grocery store—if you knew where to look, you wouldn’t go hungry. These days, I find myself passing on these same lessons to my grandchildren.
Photo credit E. A. Meigs
I was an unusual child. Though I had friends, I often spent time alone, wandering the woodlands, marshes, and nearby beaches. I knew where several springs were hidden, offering a refreshing drink when I was thirsty. I built small huts from saplings and thick brush, weaving deadwood to form the walls. I also spent time gazing at nature, mentally taking notes that later inspired my writing. Even as a child, I wrote stories and illustrated them with my own drawings. My explorations often led me to collect treasures—rocks, pinecones, acorns, feathers, bugs, and other fun finds—that surprised my mother during laundry day.
When I was about nine or ten, I decided to build a makeshift tent using a tarp, bits of rope, clothespins, and sharpened sticks as stakes. I set it up across the stream from our house in a small clearing amid the trees. Over time, I gathered a decent camping kit, and eventually, I was given an old but sturdy canvas tent. It served me well until a family of mice took up residence during the winter, leaving my tent with much more “ventilation” than intended. By that point, I had saved enough from my afterschool job to buy a modern nylon tent. Little did I know, that small blue-and-yellow pup tent, along with my camping gear, would come in handy when I first set out on my own. When rentals were hard to find and/or too expensive, I occasionally lived in the woods.
I loved boondocking—that is, camping in the woods rather than in a campground. I’ve never liked campgrounds much, but I’d sometimes stay in them during the off-season. I was fortunate that we didn’t have dangerous wildlife like poisonous snakes or large predators, so I could enjoy nature without much worry. The worst I might encounter was a skunk. Now that I’ve worked for an employer like Fish and Wildlife and seen gruesomely graphic photographs and read the reports of the aftermath of grizzly bear attacks, etc., I am much more aware of the potential hazards. Some folks don’t seem to mind tent camping in bear country, but having seen half-eaten remains, I would only do it in a hard-sided RV. Motivated bears can get into almost anything, but at least an RV gives you a chance to start up the engine and drive away and thus oblige them to run for their dinner.
And that’s it for this entry. I’ll be adding more blogs to go with the Story of Us! podcast.
Be sure to check out World of Paleoanthropology for interviews, articles, book reviews, and much more! It is a veritable goldmine of paleoanthropological information!
To learn more about Dreamer Books: An Ice Age Saga check out these pages!
Cape Cod Author E. A. Meigs Releases the Long-Awaited Conclusion to the Dreamer Books: An Ice Age Saga Series
Dreamer Literary Productions, LLC publishes The Talking Stones, the final installment in their feature series: Dreamer Books: An Ice Age Saga.
CHATHAM, Mass. (June 13th, 2023) — Cape Cod publisher Dreamer Literary Productions, LLC and author E. A. Meigs officially launch a new novel in The Dreamer Book Series, entitled The Dreamer VIII - The Talking Stones. This is the last volume of the epic eight-book series that takes readers to a distant time and place — to a perilous and yet magnificent juncture in time as they follow the life of a Neanderthal man. The narrative unfolds against a stunning Ice Age backdrop, capturing the imagination with an ongoing adventure that revolves around survival, family, friendship, and endurance against the odds.
Seven years ago, my imagination opened a portal to an ancient landscape. Layers of time peeled away, and I was thrust into the consciousness of one who had lived in a time and place now lost to memory. This Neanderthal man and the epic adventures that make up his life’s story may be fictional, but as I write his experiences it feels as though I am recording actual history, rather than composing a literary work. Bringing to life the peoples and cultures of Ice Age Eurasia has enthralled and inspired me, and I can’t help but think I will miss being immersed in their world when the series is complete.
(Header image credits: book cover photo by Paula Kugerud Photography, Venus figurine pendant and lithics by Neanderthal Joe. Header photo and blog photo by E. A. Meigs)
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The Dreamer: Just before dawn on a cold spring morning, a young Neanderthal man awakens from a strange and frightening dream that will change his life forever…
